EXCLUSIVE: U.S. Veteran Witnesses ‘Massive’ UFO over Lake Michigan in ‘Manitowoc Incident’ Short Film

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – An exclusive short film published to social media on April 10, 2019, offers viewers an inside look at what one U.S. Marine Corps veteran described as a “massive” UFO incident that took place near a Lake Michigan nuclear power station the night of March 24, 2019. A bizarre cluster of scintillating lights said unlike anything in the current known U.S. military arsenal was observed and recorded in flight over several hours by long time Manitowoc, WI, resident Myles Panosh and his videographer friend Jeff Lavicka. Running under 15 minutes the “Manitowoc Incident”’s stunning enhanced HD UFO footage, 8-bit granular audio analysis, dramatic recreation and voices of witnesses transport viewers deep into the heart of what may be the biggest UFO story of 2019.

UPDATE: The status of this report has been downgraded in an important update published April 15, 2019. Click here to read the update.

U.S. Marine Corps veteran Myles Panosh says he was on a telephone call that evening discussing UFO experiences with Sheboygan, WI, resident Shelly Schmidt when he looked out from his window and spotted a “huge” UFO over the vicinity of Point Beach Nuclear Plant in neighboring Two Creeks. Unable to capture the subject with his iPhone he enlisted help from neighbor Jeff Lavicka at 8:45 p.m. local time. The videographer then successfully imaged the mysterious event using a Samsung Galaxy S4 and was able to observe the incident until approximately 11:30 p.m..

What the videos show include multi-colored lights appearing at the apexes of a seemingly opaque wedge-shaped “Star Destroyer”-like spacecraft attended periodically by additional luminous bodies in flight blinking on and off in the nearby field of view. There are no stars or other celestial bodies visible in the background suggesting the UFO’s luminous emissions were brighter than starlight and that the subject was operating within Earth’s atmosphere. It stands to reason that if the smartphone camera’s low-light threshold included imaging of celestial objects, dozens would have appeared in each upwards-facing video frame accompanying the subject under clear night sky conditions described by the witness.

Such a simple analysis concludes that the video images do not depict stars and planets but rather subjects of magnitudes greater than starlight whose emissions fall within the visible range of the camera sensor (where other celestial objects do not register). It is clear from these images the Samsung Galaxy S4 is incapable of resolving distant binary star systems at night but is clearly suited to the task of collecting UFO evidence under dark sky conditions where subjects flying within Earth’s atmosphere emit significant illumination of their own.

The role of primal hypnotic scintillating lights in UFO incidents (like the bioluminescence of cuttlefish stalking their prey) may in some cases be interpreted as a pacifier of observers transmitting “nothing to see here” signals to individuals who may otherwise mobilize some sort of active response. The effect has been observed by this reporter during field research in the British Columbia wilderness where helicopter-like light activity on nearby ridgetops seemed ironically normal under conditions where such vehicles were very unlikely to appear.

During their telephone interviews for the “Manitowoc Incident” both Myles Panosh and Shelly Schmidt recounted a subculture of testimonies from local residents and visitors to the area who said they had seen lights in the sky near the nuclear site and over Lake Michigan. An article from the Detroit Free Press from March of this year cited eerie lights appearing along near 200 miles of Lake Michigan shoreline in witness reports from 1994 highlighting how these reports remain unsolved to the present day.

John Carpenter’s “Starman” (1984) crashed an extraterrestrial scout ship on the northwestern side of the Chequamegon-Nicolet National Forest in Chequamegon Bay, WI. The city of Green Bay and the Door Peninsula where the Point Beach Nuclear Plant is stationed reside off the southeast edge of the same forest. According to lifelong resident Myles Panosh fishing tourism was wildly popular on the peninsula shoreline during the 1960s and 1970s attracting visitors including high-profile celebrities such as Johnny Carson.

Tales of UFO sightings at the nuclear site are said to have been part of the fishing subculture and the area’s reputation as a UFO hotspot may well have earned it an indirect placement in the film’s cosmology. Viewed from this perspective the “Starman”’s miraculous silver spheres might have gleaned some of their mystique from uranium dioxide pellets used in reactor fuel rods where nuclear power is touted as a fount of miracles by today’s Fukushima-deaf industry shills.

According to the Union of Concerned Scientists fire protection problems and groundwater leaks plague Point Beach. Multidimensional environmental stakeholder ET interests in U.S. nuclear power plants remains a sensitive taboo subject where employees held economic hostage fear for job safety and onsite security protocols preclude bringing public attention to ETs and these incidents through the present day.

It remains otherwise incomprehensible how local residents using smartphone camera technology were able to release stunning images of such an apparently massive display whereas all of the local and regional airport radar sensors plus security system sensors at the nuclear site remain effectively silent in communicating facts of these events in the public domain (as if they registered nothing at all). Clearly the culture of an ongoing cover-up persists in modern America outliving the Pentagon’s 2017 Advanced Aerospace Threat Identification Program (AATIP) moment in the New York Times.

According to trained military observer Myles Panosh what he saw and Jeff Lavicka recorded that night was “Not anything we have. No way. Not even close. Not a chance. It was not a star. It was not a planet. It was not a meteor. It was definitely (by definition) an Unidentified Flying Object.” Viewers can watch the short film “Manitowoc Incident” on social media for free and learn how public contact with and video recording and reporting of dramatic UFO experiences can be big, bold and beautiful.

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Future is Granular: Cognitive Recalibration in the Digital Era with Jon Kelly on Late Night in the Midlands

Transcending Time: ‘UFO Hotline’ on California MUFON Radio

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – Exclusive new video published to social media on June 15, 2017, finds California MUFON Radio host Lorien Fenton in conversation with Jon Kelly from YourInnerVoice.com to discuss his new documentary “UFO Hotline: Secret Messages of the Contactees”. The MUFON Marin and Sonoma counties Section Director characterized what she observed while watching the film in terms of interdimensional transactions of information, stating it opened previously-unrecognized “portals to consciousness”.

CLICK HERE to watch the full 72-minute Canadian independent documentary via rental or purchase.

In the new documentary launched last week, callers to a UFO Hotline have questions about their lives as witnesses, experiencers of UFO Contact pioneering along front lines of expanding consciousness and human performance. Jon Kelly from YourInnerVoice.com hopes that an “extremely psychoactive” non-invasive procedure will help as he attempts to learn more about cognitive processes that accompany Contact, including the emotions and dreams of the contactees. Viewers rapidly enter the psychic world of UFO experiencers by listening to digital reflections of callers’ unconscious sleep talking-like gestures facilitated by a knowledgeable and friendly expert with nearly 20 years of professional experience.

According to her bio, California MUFON Radio host Lorien Fenton’s non-profit production company presents the bi-annual UFO CON in San Jose, California. She also produces Super Soldier and Mind Control Summits and hosts three weekly radio shows.

In her on-air summary of the new documentary “UFO Hotline” this SF Bay area producer offered the following statement.  “When I was listening to his interpretation of how he does this last night I started thinking about time travel. And about how people are consciously living all different states of their parallel dimensions at the same time. And I started wondering if the way he was doing this wasn’t picking up on other-dimensional time-space as well and popping it into our subconscious here in this time-space.”

The following is a partial transcript of “UFO Hotline” producer Jon Kelly’s (JK) June 7, 2017, appearance with host Lorien Fenton (LF) on California MUFON Radio. The original show archive is available at the Inception Radio Network website. This transcript has been edited for clarity.

LF: Jon was texting me on Facebook last night and he goes “I’ve got this new movie out on” … is it YouTube or where exactly is it hosted that I saw it from last night.  It must be a special streaming place, right?

JK: That’s right. I have a streaming partnership that I’ve acquired to protect my work from the rabid censorship that’s presently active in social media. My serious work is available to the public through NewsInsideOut Plus.

LF: NewsInsideOut Plus. Remember that, folks and become a subscriber. How’s the subscription work there? Is it a paid or is it a rental? How does that work, Jon?

JK: NewsInsideOut Plus began as a subscription service, as a workshop space for me to develop and produce documentary feature productions. Subscribers can subscribe monthly or annually and receive the content that would come out every month (or in the creative period in which it emerged).  From that time I’ve moved on to longer format. Now we’re into 72-minute documentaries. I’m offering those as stand-alone titles [to non-subscribers] that people can rent or purchase access to the stream. [Current NewsInsideOut Plus subscribers receive these titles included with their subscription upon the titles’ releases].

LF: I didn’t know a thing about what you did so I went in with a completely blank-slated mind and I started listening and I was absolutely fascinated. The basis of what Jon has created here is he’s taken testimonies from people that call in. Where were they calling in to?

JK: My private independent hotline.

LF: So these were like people who wanted to talk to you about their UFO sightings, events that have taken place in their life, maybe their contact. Is that correct?

JK: These are volunteers from around the nation who responded to my call and submitted their spoken-word testimonies as recordings. They provided me with license to work with that audio using the methodology that we’ll discuss. With their full consent I accumulated those recordings. Lorien, you may not remember but you and I spoke a few years ago. You had surveyed some of my work in the past (although you may not recall now). I’ve been on the scene since the late 1990s. I’m a former CBS Radio feature producer with experience in #1-rated CBS Television news. I’m very familiar with being in situations where I had access to large populations and regional populations and was able to accumulate a substantial archival library of the voices of speakers, many of whom participated in my private sessions where I work as an alternative therapist.

LF: That is so cool. Jon was kind enough to let me have access to his latest, “UFO Hotline: Secret Messages of the Contactees”. I’m working away, doing my bookkeeping and I thought “I’ll start listening to this while I’m working. And I was just so fascinated. How much of this do you want to tell the audience about before we can get them to go over there and purchase this and listen to it? I think it’s just amazing.

JK: I think in terms of what’s on display that there are several layers of experience the film offers. This is Cinéma vérité [Combining “improvisation with the use of the camera to unveil truth or highlight subjects hidden behind crude reality.” – Source]. This is “reality” meaning that what the viewer observes is real-time analysis performed on my digital audio workstation with real-time commentary. In this film the viewer discovers the findings alongside the investigator for 72 minutes. This is a very rare opportunity and the significance of participating or attending this event for the audience, the greatest significance is that the investigator has a well-known public track record for the quality of their findings being vetted. I wrote about the revived CIA Phoenix program three years before the Intercept. I published the name of a Russian spy (who was part of a large deportation that took place at the end of the last decade). I published that name nine months before it appeared in the Wall Street Journal.

LF: When you did this, how did you discover these people or this event before it happened? Was it through this modality?

JK: I studied the spoken words, the available media, the existing media and I subjected it to an intelligence assessment (or a counterintelligence assessment we could say) using a digital audio workstation. Science understands the term “multidimensional speech”. It was cited by Dr. Kourosh Saberi of the University of California at Irvine when he commented on several articles that appeared in scholarly publications published by the Royal Society and by Nature. These discussions of multidimensional speech occur in scientific circles. Dr. Saberi was a co-author in research that investigated the human brain’s ability to decipher backwards-encoded speech. They micro-sampled normal human speech in lab experiments and played back percentages [of the samples] flipped forwards and backwards to the listener. They did this in order to determine the rate of success of decryption that would occur. They determined through their statistical analysis that the human brain (from this one sample, I don’t know how many participants). This was not 100k participants. This is a typical small study. But from their sample they determined that the human brain was decoding backwards speech [with implications suggesting the brain evolved this capability as an adaptation to relatively frequent occurrences of backwards speech detectable within the spoken communications of early humans]. This discussion was circulated in Nature and it was circulated in Philosophical Transactions of the Royal Society. Scientists in very high level circles (we’re talking about the descendants of Isaac Newton) are very interested in considering concepts related to multidimensional speech. It’s widely known in audio production circles that forwards and backwards playback of audio recordings was possible going back to the days of reel-to-reel decks in Germany and Britain in the 1930s. Going back to that time, people in engineering labs had the capacity (using magnetic tapes) to decrypt audio in different directions through mechanical means. In the digital era we have even more capacity to examine artifacts of sound and light. This digital processing is a very powerful tool. I’m applying those techniques using existing industry tools. I use Adobe Audition. No big secret there. Nothing proprietary. The novelty is found in the application because we’re reversing playback of the audio. We’re mirroring or reflecting the sample, the statistical graph that the workstation generates, that we see on the monitor. When we flip the chart and monitor it across time by modulating that time parameter there are additional dimensions of encrypted speech that reveal themselves. And I believe that the audience, by participating riding shotgun (with me as the investigator) are able to make their own determinations with regards to that claim when they watch the film.

LF: Absolutely. You really did an amazing job. I’ve heard other pieces like this before but what I loved about what you did is that you would go over something. You’d go over it and you’d go over it and then you’d say “You know what, I can’t figure it out. I’m going to let it go.” But I’ve got to tell you, going along with you there were places when I actually heard something that you didn’t.  And I was thinking “Oh God, how do I tell him that I found something there that he’s not hearing?” How many people come back to you later after doing this with you through the movie, how did they tell you “Hey Jon, by the way I analyzed what you analyzed and I came up with this and this point? Can they do that? Can they interact with you after your stuff?

JK: Absolutely. When people visit NewsInsideOut.com where the article is published (and I hope that you’ll share that article with your audience).

LF: I am, yeah.

JK: They’ll see that comments are provided for our readers on NewsInsideOut.com. And we have a very active commentary, a participatory audience that comments on our articles. That provides a forum whereby the audience can communicate with me to share their insights and findings. I think what we’re really talking about here is testimony to the fact that as humans (this is “reality” cinema) we go through life with two hands, two feet, two eyes, two ears. Not ten hands, ten feet, etc. When we experience reality it’s as it unfolds, as it presents itself. That is real human experience. The film doesn’t present a contrived scenario where I edit and re-edit and re-edit and re-edit. What I’m portraying though is the technique that was rated “extremely psychoactive” by a PhD psychologist who attended my session. That is the technique that discovered the name of the Russian spy. That is the skill set being demonstrated that ID’d the CIA Phoenix program three years before it ever was published in the Intercept. The Intercept is supposed to be the whistleblower. The Intercept sat on a story for three years and I released it. You’re watching that skill set. That is a very rare but highly real-world tested and time-tested skill set. That’s the skill set that ID’d the missile strikes on Baghdad that began the Iraq War the Monday after George W. Bush gave his first inaugural address. [NB: In follow-up response to the first part of Lorien’s remarks, Jon Kelly doesn’t warrant that people will be able to audibly resolve his findings, that he can make other people hear things, or that he can hear what other people hear. He states repeatedly during the interview that his analytic bona fides are based almost entirely upon unimpeachable facts (backed by independent third-party documentation) of a track record that demonstrates “beating headlines” (consistently reporting news later substantiated by mainstream sources, sheriff’s departments and the newsmakers themselves) over an almost-20 year period].

LF: I find this absolutely fascinating. What you’re really doing is you’re transcending time in a psychological breakthrough. You’re really reading the subconscious. And transcending what they’ve got planned for their future. It’s very interesting to me. I can’t quite wrap my head around it, Jon, but you did a great job explaining it. And I hope that I’m understanding it correctly. It’s really cool. That’s all I’ve got to say. It’s really cool.

JK: I think it’s participatory enough; the documentary is participatory enough that it encourages people to develop their own insights and to begin discussions. If the film serves as a starting point for discussions that are related to self-discovery and inner discovery and self-understanding and self-integration then I think the film will have served a purpose. There are many unanswered questions that the film raises. But I think those questions are very important because I do not see those questions being addressed in current discourse. The questions that are raised about the dream states of the participants, for example. The film doesn’t present a summary where we cross-reference the three transcripts that I produce. But if you were following along you’ll notice that all three participants were talking about the same issues in their unconscious speech.

LF: That’s right. It’s very intriguing I’ve got to say.

JK: Nobody else [of comparable stature in these specific skill sets] is doing this but I’ll conclude by saying this: Dr. J. Allen Hynek insisted that science is expressed through innovation. And he specifically called for improved methodology in comprehensive interrogation of UFO witnesses. It’s written in his book The UFO Experience – A Scientific Inquiry. My work responds to Dr. Hynek because I’m applying real-world tested skills. My work is already established outside of UFOlogy and I’m bringing those proven real-world skills to the UFO question. I think this is important for anyone who is investigating the UFO question. But beyond that, anyone who works with speech, anyone who works in counseling and therapy will benefit from sitting shotgun with me for those 72 minutes. I hope that readers will take me up on that offer.

LF: Absolutely. It was fascinating to me. And it opened up even more portals to my consciousness than I had even thought that I was aware of at the moment.

“UFO Hotline: Secret Messages of the Contactees” is now streaming to NewsInsideOut Plus subscribers and also available in the NewsInsideOut Plus Video Library for rental or purchase.

CLICK HERE to watch the full 72-minute Canadian independent documentary via rental or purchase.

Recommended Reading

‘UFO Hotline’ Explores Consciousness Dimensions of UFO Contact via Digital Decryption, ‘UFO Hotline: Secret Messages of the Contactees’ Now Streaming on NewsInsideOut Plus

CENSORED VIDEO: 1974 Military UFO Caller DisclosesSpiritual Psychology of UFO Contact: Meditation, Devas, Angels and Night Vision

Revived CIA Phoenix assassination program reported three years before Snowden’s Intercept: Maidan Conspiracy Redux (British black ops in Kiev sniper attacks)

Anna Chapman’s secret messages named youth accomplice, anticipated handler’s betrayal

UFO Video: Orange Orb over Vancouver Invisible to Thermal Night Vision

Transcending Time: ‘UFO Hotline’ on California MUFON Radio

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – Exclusive new video published to social media on June 15, 2017, finds California MUFON Radio host Lorien Fenton in conversation with Jon Kelly from YourInnerVoice.com to discuss his new documentary “UFO Hotline: Secret Messages of the Contactees”. The MUFON Marin and Sonoma counties Section Director characterized what she observed while watching the film in terms of interdimensional transactions of information, stating it opened previously-unrecognized “portals to consciousness”.

CLICK HERE to watch the full 72-minute Canadian independent documentary via rental or purchase.

In the new documentary launched last week, callers to a UFO Hotline have questions about their lives as witnesses, experiencers of UFO Contact pioneering along front lines of expanding consciousness and human performance. Jon Kelly from YourInnerVoice.com hopes that an “extremely psychoactive” non-invasive procedure will help as he attempts to learn more about cognitive processes that accompany Contact, including the emotions and dreams of the contactees. Viewers rapidly enter the psychic world of UFO experiencers by listening to digital reflections of callers’ unconscious sleep talking-like gestures facilitated by a knowledgeable and friendly expert with nearly 20 years of professional experience.

According to her bio, California MUFON Radio host Lorien Fenton’s non-profit production company presents the bi-annual UFO CON in San Jose, California. She also produces Super Soldier and Mind Control Summits and hosts three weekly radio shows.

In her on-air summary of the new documentary “UFO Hotline” this SF Bay area producer offered the following statement.  “When I was listening to his interpretation of how he does this last night I started thinking about time travel. And about how people are consciously living all different states of their parallel dimensions at the same time. And I started wondering if the way he was doing this wasn’t picking up on other-dimensional time-space as well and popping it into our subconscious here in this time-space.”

The following is a partial transcript of “UFO Hotline” producer Jon Kelly’s (JK) June 7, 2017, appearance with host Lorien Fenton (LF) on California MUFON Radio. The original show archive is available at the Inception Radio Network website. This transcript has been edited for clarity.

LF: Jon was texting me on Facebook last night and he goes “I’ve got this new movie out on” … is it YouTube or where exactly is it hosted that I saw it from last night.  It must be a special streaming place, right?

JK: That’s right. I have a streaming partnership that I’ve acquired to protect my work from the rabid censorship that’s presently active in social media. My serious work is available to the public through NewsInsideOut Plus.

LF: NewsInsideOut Plus. Remember that, folks and become a subscriber. How’s the subscription work there? Is it a paid or is it a rental? How does that work, Jon?

JK: NewsInsideOut Plus began as a subscription service, as a workshop space for me to develop and produce documentary feature productions. Subscribers can subscribe monthly or annually and receive the content that would come out every month (or in the creative period in which it emerged).  From that time I’ve moved on to longer format. Now we’re into 72-minute documentaries. I’m offering those as stand-alone titles [to non-subscribers] that people can rent or purchase access to the stream. [Current NewsInsideOut Plus subscribers receive these titles included with their subscription upon the titles’ releases].

LF: I didn’t know a thing about what you did so I went in with a completely blank-slated mind and I started listening and I was absolutely fascinated. The basis of what Jon has created here is he’s taken testimonies from people that call in. Where were they calling in to?

JK: My private independent hotline.

LF: So these were like people who wanted to talk to you about their UFO sightings, events that have taken place in their life, maybe their contact. Is that correct?

JK: These are volunteers from around the nation who responded to my call and submitted their spoken-word testimonies as recordings. They provided me with license to work with that audio using the methodology that we’ll discuss. With their full consent I accumulated those recordings. Lorien, you may not remember but you and I spoke a few years ago. You had surveyed some of my work in the past (although you may not recall now). I’ve been on the scene since the late 1990s. I’m a former CBS Radio feature producer with experience in #1-rated CBS Television news. I’m very familiar with being in situations where I had access to large populations and regional populations and was able to accumulate a substantial archival library of the voices of speakers, many of whom participated in my private sessions where I work as an alternative therapist.

LF: That is so cool. Jon was kind enough to let me have access to his latest, “UFO Hotline: Secret Messages of the Contactees”. I’m working away, doing my bookkeeping and I thought “I’ll start listening to this while I’m working. And I was just so fascinated. How much of this do you want to tell the audience about before we can get them to go over there and purchase this and listen to it? I think it’s just amazing.

JK: I think in terms of what’s on display that there are several layers of experience the film offers. This is Cinéma vérité [Combining “improvisation with the use of the camera to unveil truth or highlight subjects hidden behind crude reality.” – Source]. This is “reality” meaning that what the viewer observes is real-time analysis performed on my digital audio workstation with real-time commentary. In this film the viewer discovers the findings alongside the investigator for 72 minutes. This is a very rare opportunity and the significance of participating or attending this event for the audience, the greatest significance is that the investigator has a well-known public track record for the quality of their findings being vetted. I wrote about the revived CIA Phoenix program three years before the Intercept. I published the name of a Russian spy (who was part of a large deportation that took place at the end of the last decade). I published that name nine months before it appeared in the Wall Street Journal.

LF: When you did this, how did you discover these people or this event before it happened? Was it through this modality?

JK: I studied the spoken words, the available media, the existing media and I subjected it to an intelligence assessment (or a counterintelligence assessment we could say) using a digital audio workstation. Science understands the term “multidimensional speech”. It was cited by Dr. Kourosh Saberi of the University of California at Irvine when he commented on several articles that appeared in scholarly publications published by the Royal Society and by Nature. These discussions of multidimensional speech occur in scientific circles. Dr. Saberi was a co-author in research that investigated the human brain’s ability to decipher backwards-encoded speech. They micro-sampled normal human speech in lab experiments and played back percentages [of the samples] flipped forwards and backwards to the listener. They did this in order to determine the rate of success of decryption that would occur. They determined through their statistical analysis that the human brain (from this one sample, I don’t know how many participants). This was not 100k participants. This is a typical small study. But from their sample they determined that the human brain was decoding backwards speech [with implications suggesting the brain evolved this capability as an adaptation to relatively frequent occurrences of backwards speech detectable within the spoken communications of early humans]. This discussion was circulated in Nature and it was circulated in Philosophical Transactions of the Royal Society. Scientists in very high level circles (we’re talking about the descendants of Isaac Newton) are very interested in considering concepts related to multidimensional speech. It’s widely known in audio production circles that forwards and backwards playback of audio recordings was possible going back to the days of reel-to-reel decks in Germany and Britain in the 1930s. Going back to that time, people in engineering labs had the capacity (using magnetic tapes) to decrypt audio in different directions through mechanical means. In the digital era we have even more capacity to examine artifacts of sound and light. This digital processing is a very powerful tool. I’m applying those techniques using existing industry tools. I use Adobe Audition. No big secret there. Nothing proprietary. The novelty is found in the application because we’re reversing playback of the audio. We’re mirroring or reflecting the sample, the statistical graph that the workstation generates, that we see on the monitor. When we flip the chart and monitor it across time by modulating that time parameter there are additional dimensions of encrypted speech that reveal themselves. And I believe that the audience, by participating riding shotgun (with me as the investigator) are able to make their own determinations with regards to that claim when they watch the film.

LF: Absolutely. You really did an amazing job. I’ve heard other pieces like this before but what I loved about what you did is that you would go over something. You’d go over it and you’d go over it and then you’d say “You know what, I can’t figure it out. I’m going to let it go.” But I’ve got to tell you, going along with you there were places when I actually heard something that you didn’t.  And I was thinking “Oh God, how do I tell him that I found something there that he’s not hearing?” How many people come back to you later after doing this with you through the movie, how did they tell you “Hey Jon, by the way I analyzed what you analyzed and I came up with this and this point? Can they do that? Can they interact with you after your stuff?

JK: Absolutely. When people visit NewsInsideOut.com where the article is published (and I hope that you’ll share that article with your audience).

LF: I am, yeah.

JK: They’ll see that comments are provided for our readers on NewsInsideOut.com. And we have a very active commentary, a participatory audience that comments on our articles. That provides a forum whereby the audience can communicate with me to share their insights and findings. I think what we’re really talking about here is testimony to the fact that as humans (this is “reality” cinema) we go through life with two hands, two feet, two eyes, two ears. Not ten hands, ten feet, etc. When we experience reality it’s as it unfolds, as it presents itself. That is real human experience. The film doesn’t present a contrived scenario where I edit and re-edit and re-edit and re-edit. What I’m portraying though is the technique that was rated “extremely psychoactive” by a PhD psychologist who attended my session. That is the technique that discovered the name of the Russian spy. That is the skill set being demonstrated that ID’d the CIA Phoenix program three years before it ever was published in the Intercept. The Intercept is supposed to be the whistleblower. The Intercept sat on a story for three years and I released it. You’re watching that skill set. That is a very rare but highly real-world tested and time-tested skill set. That’s the skill set that ID’d the missile strikes on Baghdad that began the Iraq War the Monday after George W. Bush gave his first inaugural address. [NB: In follow-up response to the first part of Lorien’s remarks, Jon Kelly doesn’t warrant that people will be able to audibly resolve his findings, that he can make other people hear things, or that he can hear what other people hear. He states repeatedly during the interview that his analytic bona fides are based almost entirely upon unimpeachable facts (backed by independent third-party documentation) of a track record that demonstrates “beating headlines” (consistently reporting news later substantiated by mainstream sources, sheriff’s departments and the newsmakers themselves) over an almost-20 year period].

LF: I find this absolutely fascinating. What you’re really doing is you’re transcending time in a psychological breakthrough. You’re really reading the subconscious. And transcending what they’ve got planned for their future. It’s very interesting to me. I can’t quite wrap my head around it, Jon, but you did a great job explaining it. And I hope that I’m understanding it correctly. It’s really cool. That’s all I’ve got to say. It’s really cool.

JK: I think it’s participatory enough; the documentary is participatory enough that it encourages people to develop their own insights and to begin discussions. If the film serves as a starting point for discussions that are related to self-discovery and inner discovery and self-understanding and self-integration then I think the film will have served a purpose. There are many unanswered questions that the film raises. But I think those questions are very important because I do not see those questions being addressed in current discourse. The questions that are raised about the dream states of the participants, for example. The film doesn’t present a summary where we cross-reference the three transcripts that I produce. But if you were following along you’ll notice that all three participants were talking about the same issues in their unconscious speech.

LF: That’s right. It’s very intriguing I’ve got to say.

JK: Nobody else [of comparable stature in these specific skill sets] is doing this but I’ll conclude by saying this: Dr. J. Allen Hynek insisted that science is expressed through innovation. And he specifically called for improved methodology in comprehensive interrogation of UFO witnesses. It’s written in his book The UFO Experience – A Scientific Inquiry. My work responds to Dr. Hynek because I’m applying real-world tested skills. My work is already established outside of UFOlogy and I’m bringing those proven real-world skills to the UFO question. I think this is important for anyone who is investigating the UFO question. But beyond that, anyone who works with speech, anyone who works in counseling and therapy will benefit from sitting shotgun with me for those 72 minutes. I hope that readers will take me up on that offer.

LF: Absolutely. It was fascinating to me. And it opened up even more portals to my consciousness than I had even thought that I was aware of at the moment.

“UFO Hotline: Secret Messages of the Contactees” is now streaming to NewsInsideOut Plus subscribers and also available in the NewsInsideOut Plus Video Library for rental or purchase.

CLICK HERE to watch the full 72-minute Canadian independent documentary via rental or purchase.

Recommended Reading

‘UFO Hotline’ Explores Consciousness Dimensions of UFO Contact via Digital Decryption, ‘UFO Hotline: Secret Messages of the Contactees’ Now Streaming on NewsInsideOut Plus

CENSORED VIDEO: 1974 Military UFO Caller DisclosesSpiritual Psychology of UFO Contact: Meditation, Devas, Angels and Night Vision

Revived CIA Phoenix assassination program reported three years before Snowden’s Intercept: Maidan Conspiracy Redux (British black ops in Kiev sniper attacks)

Anna Chapman’s secret messages named youth accomplice, anticipated handler’s betrayal

UFO Video: Orange Orb over Vancouver Invisible to Thermal Night Vision

Yoga and Meditation in a Life Extraordinary with Author Dada Vedaprajinananda

By Jon Kelly

NewsInsideOut.com

Roberts Creek, BC – In an exclusive new interview published to YouTube on January 22, 2016, NewsInsideOut met with yoga and meditation expert author Dada Vedaprajinananda during his tour of the British Columbia Sunshine Coast to discuss his spiritual memoir “From Brooklyn to Benares and Back.” From life in post-World War II New York, through the birth of Rock and Roll and the Vietnam-era draft readers discover compelling social and spiritual forces that culminated in the author’s pursuit of Self-knowledge leading to personal contact with one of the most profound intellectual and spiritual personalities of the twentieth century.

In his summary Futures Studies researcher and Professor Sohail Inayatullah explained how this book teaches “equanimity of mind” offering a “journey in authenticity, in humanity.” Told with characteristic humor and insight, the monk’s tale offers his clear, no-nonsense take on a life extraordinary in pursuit of the yogic goal of merger with Cosmic Consciousness. The title is accessible to beginners and of special value to meditation students, yoga teachers-in-training and spiritual aspirants of all faiths.

Seeming chance encounters with legendary musicians, Presidential family members and heroes of the Space Race populate the pages of this work. However, the most significant impressions are conveyed during his meetings with yogic Acharya’s (Skr: “Teacher by example”) who provide personal instruction in original spiritual practices of humanity’s ancient Sanskrit-speaking ancestors. These techniques emphasize unlocking the gates of consciousness through the recitation of personal mantras formulated to meet the needs of each individual’s character and emotional disposition.

The nature of these instructions and their accompanying lifestyle are further elucidated in “The Chakras and Kundalinii with Dada Vedaprajinananda,” a presentation given by the author in January of this year now streaming on NewsInsideOut Plus and available for rental or purchase. At just under two hours, this talk provides post-graduate-level insight including lucid articulations of the tantric chakra seed sounds and clear descriptions of their accompanying Vrttis (Skr: “Emotions”). Filled with music and fun, this title teaches and entertains in a way that could only be informed by decades of personal practice and instructional leadership given in more than thirty countries throughout the world.

For readers who wish to understand the secrets of spiritual living told in the voice of an expert western practitioner and experiencer, this reporter highly recommends “From Brooklyn to Benares and Back” by Dada Vedaprajinananda, now available through his website or on Amazon.com.

According to his biography, Dada is a monk, meditation and yoga teacher and a singer-songwriter. A native New Yorker, he has lectured, performed and taught in more than thirty countries since the early 1970s. He currently resides in the Ananda Liina Spiritual Community in Urbana, Illinois, where he offers regular instruction and retreats emphasizing men’s spirituality and personal development.

From DadaVeda.com: “This is Dada’s memoir.  It chronicles his life,  from his upbringing in New York right up to the present time. It give an inside glimpse showing how he was attracted to the spiritual path and how he went on to become a world-traveled monk , singer-songwriter and author.

““Many spiritual books try to enthrall with colorful language about the many states of nirvana. Dada’s
text is not like that. His words are even keel, just like the author. They live and teach equanimity of mind.

“One joins him for a journey in authenticity, in humanity. From his early   days watching to in Brooklyn, to his meeting with the famous hippies of the 60s, to his transition to an editor and then to a monk. One flows. We go with Dada to Europe to Japan to Syria and then back to New York. In this journey, this peaceful journey, we share in Dada’s calm approach to giving, to living the right life. And to challenging our comfort zones. If we wish for the Divine to carry us, we need to first let go. Dada’s life has been an example of that. Read his book. And let go. Wade shallow or dive deep, but go in the water and the let the flow carry you to you. “”

Professor Sohail Inayatullah,
Tamkang University, Taiwan, Author of Transcending Boundaries

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