Vancouver, BC – Ongoing research into the “Manitowoc Incident” video archive produced evidence this past weekend that smartphone camera recordings of lights in the sky submitted to NewsInsideOut.com in support of U.S. Marine Corps veteran Myles Panosh’s March 24, 2019, UFO sighting report were most likely images of street lights and cars on the ground. Wisconsin videographer Jeff Lavicka worked closely with NewsInsideOut.com to decipher strange artifacts discovered in the footage and has withdrawn his claim of having taped a UFO that night. These findings downgrade status of the incident depicted in the short film from potentially the biggest story in today’s UFO news to a record of testimony from a trained observer whose sighting of an unknown remains supported in the film by video-based dramatic visual recreations and 8-bit granular audio processing.
To show readers how these conclusions were reached we are presenting a series of images. This series reveals how one previously-unpublished video frame from the “Manitowoc Incident” video archive rotated 180 degrees and transparently overlaid with a daylight photo of a neighboring house adjacent to Jeff Lavicka’s location offers a satisfactory visual match. A geometric artifact on the far left side of the frame suggests there was a building in the image foreground. The composite result accompanying this update reveals the camera’s attitude at the time of recording was apparently pitched downwards, not upwards facing towards the sky.
This reporter received access to “Manitowoc Incident” footage two weeks after it was recorded and discussed among the witnesses. How it then took an additional six part and full-time days for this discovery to arise relates to various challenges that surround attempts to provide pro bono lab services as a crowdsourced amateur video clearinghouse while also providing reportage, non-commercial short film production and news distribution services on a deadline.
Upon his review of these facts witness Myles Panosh told NewsInsideOut.com he stands firmly behind his UFO sighting testimony where he clearly stated in the film how both videographer and witness were at two different locations at the time of taping and that the recordings were made after his initial sighting that same evening. It is our hope that this important update to NewsInsideOut.com’s “Manitowoc Incident” reporting will satisfy the curiosity of readers and viewers alike whose appetites for the UFO Truth and Disclosure we continue to support.
Running at under 15 minutes the “Manitowoc Incident” short film on YouTube has gathered more than 5,000 views at the time of this update’s publication and is the subject of articles and threads on top-ranking websites including Mysterious Universe and Above Top Secret.
Vancouver, BC – An exclusive short film published to social media on April 10, 2019, offers viewers an inside look at what one U.S. Marine Corps veteran described as a “massive” UFO incident that took place near a Lake Michigan nuclear power station the night of March 24, 2019. A bizarre cluster of scintillating lights said unlike anything in the current known U.S. military arsenal was observed and recorded in flight over several hours by long time Manitowoc, WI, resident Myles Panosh and his videographer friend Jeff Lavicka. Running under 15 minutes the “Manitowoc Incident”’s stunning enhanced HD UFO footage, 8-bit granular audio analysis, dramatic recreation and voices of witnesses transport viewers deep into the heart of what may be the biggest UFO story of 2019.
UPDATE: The status of this report has been downgraded in an important update published April 15, 2019. Click here to read the update.
U.S. Marine Corps veteran Myles Panosh says he was on a telephone call that evening discussing UFO experiences with Sheboygan, WI, resident Shelly Schmidt when he looked out from his window and spotted a “huge” UFO over the vicinity of Point Beach Nuclear Plant in neighboring Two Creeks. Unable to capture the subject with his iPhone he enlisted help from neighbor Jeff Lavicka at 8:45 p.m. local time. The videographer then successfully imaged the mysterious event using a Samsung Galaxy S4 and was able to observe the incident until approximately 11:30 p.m..
What the videos show include multi-colored lights appearing at the apexes of a seemingly opaque wedge-shaped “Star Destroyer”-like spacecraft attended periodically by additional luminous bodies in flight blinking on and off in the nearby field of view. There are no stars or other celestial bodies visible in the background suggesting the UFO’s luminous emissions were brighter than starlight and that the subject was operating within Earth’s atmosphere. It stands to reason that if the smartphone camera’s low-light threshold included imaging of celestial objects, dozens would have appeared in each upwards-facing video frame accompanying the subject under clear night sky conditions described by the witness.
Such a simple analysis concludes that the video images do not depict stars and planets but rather subjects of magnitudes greater than starlight whose emissions fall within the visible range of the camera sensor (where other celestial objects do not register). It is clear from these images the Samsung Galaxy S4 is incapable of resolving distant binary star systems at night but is clearly suited to the task of collecting UFO evidence under dark sky conditions where subjects flying within Earth’s atmosphere emit significant illumination of their own.
The role of primal hypnotic scintillating lights in UFO incidents (like the bioluminescence of cuttlefish stalking their prey) may in some cases be interpreted as a pacifier of observers transmitting “nothing to see here” signals to individuals who may otherwise mobilize some sort of active response. The effect has been observed by this reporter during field research in the British Columbia wilderness where helicopter-like light activity on nearby ridgetops seemed ironically normal under conditions where such vehicles were very unlikely to appear.
During their telephone interviews for the “Manitowoc Incident” both Myles Panosh and Shelly Schmidt recounted a subculture of testimonies from local residents and visitors to the area who said they had seen lights in the sky near the nuclear site and over Lake Michigan. An article from the Detroit Free Press from March of this year cited eerie lights appearing along near 200 miles of Lake Michigan shoreline in witness reports from 1994 highlighting how these reports remain unsolved to the present day.
John Carpenter’s “Starman” (1984) crashed an extraterrestrial scout ship on the northwestern side of the Chequamegon-Nicolet National Forest in Chequamegon Bay, WI. The city of Green Bay and the Door Peninsula where the Point Beach Nuclear Plant is stationed reside off the southeast edge of the same forest. According to lifelong resident Myles Panosh fishing tourism was wildly popular on the peninsula shoreline during the 1960s and 1970s attracting visitors including high-profile celebrities such as Johnny Carson.
Tales of UFO sightings at the nuclear site are said to have been part of the fishing subculture and the area’s reputation as a UFO hotspot may well have earned it an indirect placement in the film’s cosmology. Viewed from this perspective the “Starman”’s miraculous silver spheres might have gleaned some of their mystique from uranium dioxide pellets used in reactor fuel rods where nuclear power is touted as a fount of miracles by today’s Fukushima-deaf industry shills.
According to the Union of Concerned Scientists fire protection problems and groundwater leaks plague Point Beach. Multidimensional environmental stakeholder ET interests in U.S. nuclear power plants remains a sensitive taboo subject where employees held economic hostage fear for job safety and onsite security protocols preclude bringing public attention to ETs and these incidents through the present day.
It remains otherwise incomprehensible how local residents using smartphone camera technology were able to release stunning images of such an apparently massive display whereas all of the local and regional airport radar sensors plus security system sensors at the nuclear site remain effectively silent in communicating facts of these events in the public domain (as if they registered nothing at all). Clearly the culture of an ongoing cover-up persists in modern America outliving the Pentagon’s 2017 Advanced Aerospace Threat Identification Program (AATIP) moment in the New York Times.
According to trained military observer Myles Panosh what he saw and Jeff Lavicka recorded that night was “Not anything we have. No way. Not even close. Not a chance. It was not a star. It was not a planet. It was not a meteor. It was definitely (by definition) an Unidentified Flying Object.” Viewers can watch the short film “Manitowoc Incident” on social media for free and learn how public contact with and video recording and reporting of dramatic UFO experiences can be big, bold and beautiful.
Vancouver, BC – Exclusive new video published to social media on April 4, 2019, offers a look at detecting future intelligence using a portable speech synthesizer. “Cyberpunk 101: The Series” is a collection of short films that decrypt comments from newsmakers of the past two decades to reveal future intelligence about the Iraq War, identity of the BTK Killer, the name of a Russian spy and a resurgent CIA operation. According to the series description “Cyberpunk 101”’s speech synthesis video magic will have viewers decrypting the matrix like an expert in less than five minutes.
The series contains four short live-action chapters where the first explores the inaugural address of U.S. President George W. Bush. Findings of the original granular analysis released January 25, 2001, exposed a “Mission of Baghdad” that anticipated the Iraq War that commenced March 19, 2003. The second in the series looks at a pre-trial jailhouse interview of BTK Killer Dennis Rader where granular analysis exposed demonic possession issues to which the then-confessed killer openly admitted less than one week after those findings were first aired.
The third chapter of “Cyberpunk 101” examines the statements of Russian spy Anna Chapman while she was operating undercover in New York. Granular analysis revealed the name of a youth accomplice in the “Illegals Program” spy ring who was named by the Wall Street Journal nine months later. Final chapter in the series follows then-U.S. Secretary of State John Kerry to Kiev in wake of Euromaidan’s 2014 Ukraine Revolution. Under granular analysis the secretary’s press conference remarks are shown to indicate a resurgent CIA Phoenix Program that was discussed in The Intercept three years after it was reported in a popular column for Examiner.com.
Repurposing off-the-shelf technologies for novel applications is a trope of science fiction’s cyberpunk ethos, invoking a recognizable symbol of the cultural movement that led to “The Matrix” movie franchise at the turn of this millennium. In this story’s example, Swedish manufacturer Teenage Engineering (makers of the PO-35) never marketed the device as a time machine useful for identifying Russian spies before their names are released by the mainstream press. But “Cyberpunk 101” shows viewers just how nerdtastic this application can be.
The Teenage Engineering Pocket Operator PO-35 Speak is a portable sampling speech synthesizer with nine discrete sound synthesis engines (including a drum machine) and a sequencer plus 15 different effects. The PO-35 can sample human speech then regenerate the characteristics of those sounds with controllable parameters including pitch, tempo, formant and time direction.
The PO-35 is reportedly based upon linear predictive coding (LPC), the same technique found in the Speak &Spell educational toy of the 1980s. LPC is said to represent the spectral envelope of a digital speech signal in compressed form based upon a linear predictive model where predictive modelling applies statistics to anticipate outcomes. According to one source, in 1974 LPC enabled packet speech communications over ARPANET, the data network that first implemented packet-switching and TCP/IP protocols that characterize the foundations of the modern internet. The same research is cited in foundations of Voice over Internet Protocol (VoIP) commonly used in present-day telephony.
The Pocket Operator’s palm-sized design suggests homage to German electronic music pioneers Kraftwerk who’s 1981 “Pocket Calculator” had a “special key” that “plays a little melody”. Stating “I’m the operator with my pocket calculator,” futuristic tunesmiths of the 1980s showed the world they had everything under control. (Warning: Animalistic nerd out shown in this video may be too intense for some viewers).
Hamburg-based Russian techno DJ Xenia Beliayeva’s new Instagram video for “Violet” features background images by NewsInsideOut.com reporter Jon Kelly. The videographer explains “In what I understood to be a highly symbolic gesture of good will an established figure in Europe’s electronic music scene reached out at a time when news organizations in North America faced an existential crisis over status of Special Counsel’s investigation into the Trump campaign’s collusion with Russia. Collaborating publicly with Xenia in this way affirms no Russophobia guided my decisions when I covered those events nor does it today.”
Vancouver, BC – Exclusive new video published to social media on February 12, 2019, catches up with former Mutual UFO Network (MUFON) Utah State Director Erica Lukes in conversation with NewsInsideOut.com co-editor Jon Kelly discussing explosive revelations from UFO Classified’s recent interview series with MUFON whistleblower Phil Leech. This latest NewsInsideOut.com UFOlogy and Exopolitics investigation raises disturbing questions regarding how MUFON could possibly survive an audit testing compliance with its own internal guidelines, let alone one that evaluated MUFON compliance with U.S. federal laws and regulations. UFO Classified with Erica Lukes airs Friday nights at 4 p.m. PST/7 p.m. EST on KCOR.
Erica Lukes is a UFO researcher and host of UFO Classified on the KCOR Digital Radio Network. She is the former state director for the Utah chapter of the Mutual UFO Network (MUFON) who trained as a MUFON field investigator. She is currently holding a substantial historic archive of UFO periodicals, research, rare books and other publications (some of which were willed to her by noted researchers) available through special public events in Salt Lake City. Erica will be seen on Science Channel’s “NASA’s Unexplained Files”.
In a series of letters posted to UFOClassified.com earlier this year the former National Director of MUFON’s Case Review Team detailed an emergent culture of extensive background checks targeting individuals reporting UFO incidents where potential Health Insurance Portability and Accountability Act of 1996 (HIPAA) law violations exposed Americans’ protected health information (PHI).
In the first document Phil Leech wrote “I have found that some investigators are having extensive background checks run on witnesses when they submit a report … one report showing a comprehensive list of medications a witness is using with side effects from these medicines.” Citing MUFON’s Case Management System (CMS) as a multi-user access online database, the author noted “many individuals within MUFON” could inappropriately (if not illegally) access such protected records via a simple login.
According to the U.S. Department of Health & Human Services, the HIPAA Privacy Rule “requires appropriate safeguards to protect the privacy of personal health information, and sets limits and conditions on the uses and disclosures that may be made of such information without patient authorization. The Rule also gives patients rights over their health information, including rights to examine and obtain a copy of their health records, and to request corrections.” How MUFON is maintaining compliance with such standards is not well-understood at the time of this writing.
The Phil Leech letters further chronicle seemingly outrageous evidence management practices naming MUFON’s Director of Investigations Chase Kloetzke in the black hole funneling of highly sensitive materials collected from witness medical procedures (an alleged implant) to Luis Elizondo, formerly with the Pentagon’s Advanced Aerospace Threat Identification Program (AATIP), now To The Stars (TTS) Academy’s Director of Global Security and Special Programs.
In a passage that appears to defy the author’s understanding of chain of custody compliance, Phil Leech wrote how this exotic specimen left MUFON’s purview via “Lue Elizondo with the production company from A&E that picked it up for transport.” The whistleblower asked incredulously “After 50 years of searching for the truth why would [DOI Chase Kloetzke] or anyone else turn over the one piece of evidence that could prove this all to a Production Company?”
In the way described by whistleblower testimony MUFON appears to resemble an active covert partner to multiple departments of the federal government including the U.S. Department of Homeland Security’s widely-derided “If You See Something, Say Something” informants campaign, where bureaucratic mission creep imposes continuingly increasing demands for public data mining in the name of quotas and yearly bonuses. It is in such a manner that MUFON appears to act as a covert enabler of ongoing out-of-control big government expansion into what remains of private life in America.
And MUFON is not alone in potential privacy trespasses. In perhaps the most bizarre turn of events supposed Secret Space Program (SSP) whistleblower Corey Goode and protégé Jordan Sather have been named as principal actors in a criminal #DoxxGate doxxing campaign targeting online critics and opponents resulting in legal action due to HIPAA law violations against one of their victims. Ironically it was Corey Goode’s controversial appearance at the 2017 MUFON Symposium that fueled in part a mass defection of the organization’s senior membership protesting MUFON’s latest iteration as an entertainment production company that has abandoned science in all but name.
MUFON’s ridiculous public embrace of Corey Goode’s ever-changing narratives alongside an apparent shared HIPAA law violation modus operandi seems to define both parties as Blue Avians of the same feather. Seen in this profound light, Goode and company as cultural phenoms can also be understood as characters in live action national security exopolitical theater role play harboring covert allegiance to U.S. federal agency initiatives.