War Crimes in Exopolitics: Judge Alfred Lambremont Webre Cites Gaia TV Execs, Dr. Michael Salla, Corey Goode and Randy Cramer

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – Exclusive new video published to social media September 16, 2019, takes viewers behind the scenes at an in-progress Vancouver meeting where the celebrated father of Exopolitics Kuala Lumpur War Crimes Tribunal Judge Alfred Lambremont Webre, JD, MEd, cited Gaia TV executives, Dr. Michael Salla, Corey Goode and Randy Kramer for war crimes upon his triumphant return from Barcelona’s UFOlogy World Conference. Greg Sullivan from the Japan Center for Extraterrestrial Intelligence (JCETI) led a weekend question and answer session exploring contemporary issues in E.T. Contact where the judge offered these explosive remarks. The two share an excoriating no-snowflakes UFOlogical review in under 40 minutes delivering rapid-fire conversation that is both shocking and informative.

Speaking to JCETI’s Greg Sullivan and this reporter Judge Webre stated “The officers and directors of Gaia TV along with Dr. Michael Salla along with (to the extent that they are conscious of it) Corey Goode, Randy Cramer and others who have committed fraud are guilty of war crimes, crimes against humanity and indirectly of genocide for participating in the Draco-Reptilian continued program of genocide against the human race through their secret treaty complex.”

“These treaties form an institutional and legal infrastructure,” the Yale Fulbright scholar continued, describing their foundational role in “setting up a regime of pedocriminality and human slavery on the planet in the solar system and beyond.”

The NewsInsideOut co-editor has written extensive backgrounds to these issues where links to related articles are provided below.

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Kraftwerkian Trance: E.T. Contact with Les Murzsa in Vancouver UFO Skywatch Field Notes

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – Exclusive new video published to social media August 9, 2019, shows skywatch highlights from Canadian UFO videographer Les Murzsa’s recent UFO documentary road trip to Vancouver, British Columbia. The self-documenting Extraterrestrial Contact experiencer who played a substantial role in forecasting Contact incidents involving additional videographers and witnesses returned to the UFO corridor near Vancouver City Hall earlier this month. Regarding his latest images from this past weekend in Mount Pleasant, Les Murzsa considers the recordings evidence for a “close encounter with an E.T.”.

The British Columbia Contactee and guerilla film maker is currently in ongoing production for a new independent documentary under the working title “Hello, UFO”. When asked to explain what his most recent skywatch video captured Les Murzsa cited historical context within which the weekend sightings occurred, recounting events as “Consistent with my past experiences filming in the neighborhood.”

In an August 6 email discussing images recorded four days earlier Les Murzsa wrote to this reporter stating:

“I am certain that they are not balloons . . . At the beginning of the sighting there are two distinct objects. Let’s call them red and black. Not only do smaller white spheres appear but the black object comes and goes throughout the rest of the sighting. At times it appears to be part of the red object and no longer an object of its own . . . I caught sight of it when it was no more than 20 feet above the sidewalk at the North East corner of the park meaning we were within approximately 100 feet from the UFO.”

A deeply intuitive Les Murzsa contextualized this sighting experience with the following descriptive language stating, “If my theory is correct that these objects are dimensional entities then we and the public at the park had an extremely close encounter with an E.T. at ground level.

”It is my belief that these objects can pass into the earth and so I believe this UFO came out of the ground at the edge of the park because he knew that we were there filming and was presenting himself for us to capture the sighting on film.”

Invisible Galaxies Imaged by ALMA Observatory

Like the Atacama Large Millimeter Array (ALMA) Observatory that captures images of supposed invisible galaxies the 3CCD camera (JVC GZ-HD7US) used in Les Murzsa skywatch events normally operates at or beyond the range of its optical resolution. The multi-sensor camera achieves this by using digital magnification.

Under such conditions rendering distant subjects may introduce visual artifacts distinct from actual appearance (determined upon closer examination). In terms of identifying subjects zooming in on pixels offers a closer look while adding significant noise to the signal.

Upon review of the ALMA images, readers may agree there are not many galaxies that actually appear to have stair step-aliasing geometries. Those characteristics are evident artifacts of digital magnification from an observational system operating at or beyond the threshold of its optical range.

In summary, the ALMA invisible galaxies certainly don’t look like clusters with hundreds of billions of discrete stars and other celestial objects. Yet they continue to offer currency as media in the scientific press. In this climate the Les Murzsa video archive offers an opportunity for the public to consider scientific potential of multi-sensor camcorder registrations of limited resolution documenting and informing further documentation by others of potential Contact with other intelligent civilizations.

In attempting to address some of the questions raised by Les Murzsa’s substantial catalog of video images this reporter has introduced a higher-optical magnification imaging system (Panasonic AG-DVC30) into the skywatch events. The E.T. experiencer’s field leadership directing a camera team capturing images in Southwestern British Columbia resulted in stunning daylight and starlight images that amplify conclusions regarding the mysterious origins of these subjects.

Outtakes from those additional sightings included in the August skywatch video were recorded both at the same Mount Pleasant location in 2014 and within city blocks in 2011.

Due further consideration are the various ways in which cities appear as magnets for garbage and pollution with seemingly unlimited plastic bags and Mylar balloons drifting overhead. It may be hyperbolic to suggest the August skywatch images show anything more than balloons and a harbor seaplane at extreme range.

However, disproportional jitter along the image’s vertical axis exhibited by the subject as a tree branch comes into view in August 3, 2019, footage is difficult to explain as normal level flight by an airplane (although this appearance may be an artifact of the JVC camera’s Optical Image Stabilizer (OIS)).

Instrumentation measuring phenomena introduces noise to any experiment and future research will need to be able to successfully distinguish this noise from clear signals in order to successfully advance.

"Hello, UFO" is Les Murzsa's new documentary currently in production

It is this reporter’s documented experience that redundant multi-sensor instruments have registered images at closer optical magnification on numerous occasions when Les Murzsa was directing the camera team. Those registrations furthered the E.T. hypothesis rather than debunking it awakening a sense of how the continuity of Les Murzsa’s ongoing independent UFO studies can contribute to a scientifically-informed educational understanding of Contact phenomena.

Les Murzsa’s August skywatch procedure includes use of JVC’s Focus Assist feature offering a powerful subject-detecting capability that in numerous cases leads the videographer along his path of discovery. This behavioral characteristic of the investigator intersects with an interesting philosophical thread regarding machines identifying subjects for the operator to study (versus an operator-led approach).

Capitulation to cybernetics appears like a migration beyond metaphorical boundary lines related to artistic and creative expression of a transpersonal state in which the camera operator merges with the operation, where responsibility for leading investigation is de facto transferred to artificial intelligence (AI).

This theme finds widespread expression in popular music’s embrace of Kraftwerkian trances among today’s DJs and electronic instrument operators who follow the beat wherever it may lead them. Under these altered states of consciousness it appears possible subjects may approach the observer as per the claims of Yakima Lights investigator David Akers.

In the Report on the Investigation of Nocturnal Light Phenomena at Toppenish, Washington AUGUST 1972 David Akers wrote how photographic captures were produced by phenomena that approached the electrical engineer.

“The investigative approach used involved setting-up portable observation points at selected locations in the study area for several days at a time. This technique allowed the observer to become acquainted with normal activity in a given location and prepare him to detect any abnormal activity which might occur. No concerted effort was made to “chase” the phenomenon around the reservation. Instead, it was allowed to come to the observer (emphasis added).”

 

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EXCLUSIVE: U.S. Veteran Witnesses ‘Massive’ UFO over Lake Michigan in ‘Manitowoc Incident’ Short Film

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – An exclusive short film published to social media on April 10, 2019, offers viewers an inside look at what one U.S. Marine Corps veteran described as a “massive” UFO incident that took place near a Lake Michigan nuclear power station the night of March 24, 2019. A bizarre cluster of scintillating lights said unlike anything in the current known U.S. military arsenal was observed and recorded in flight over several hours by long time Manitowoc, WI, resident Myles Panosh and his videographer friend Jeff Lavicka. Running under 15 minutes the “Manitowoc Incident”’s stunning enhanced HD UFO footage, 8-bit granular audio analysis, dramatic recreation and voices of witnesses transport viewers deep into the heart of what may be the biggest UFO story of 2019.

UPDATE: The status of this report has been downgraded in an important update published April 15, 2019. Click here to read the update.

U.S. Marine Corps veteran Myles Panosh says he was on a telephone call that evening discussing UFO experiences with Sheboygan, WI, resident Shelly Schmidt when he looked out from his window and spotted a “huge” UFO over the vicinity of Point Beach Nuclear Plant in neighboring Two Creeks. Unable to capture the subject with his iPhone he enlisted help from neighbor Jeff Lavicka at 8:45 p.m. local time. The videographer then successfully imaged the mysterious event using a Samsung Galaxy S4 and was able to observe the incident until approximately 11:30 p.m..

What the videos show include multi-colored lights appearing at the apexes of a seemingly opaque wedge-shaped “Star Destroyer”-like spacecraft attended periodically by additional luminous bodies in flight blinking on and off in the nearby field of view. There are no stars or other celestial bodies visible in the background suggesting the UFO’s luminous emissions were brighter than starlight and that the subject was operating within Earth’s atmosphere. It stands to reason that if the smartphone camera’s low-light threshold included imaging of celestial objects, dozens would have appeared in each upwards-facing video frame accompanying the subject under clear night sky conditions described by the witness.

Such a simple analysis concludes that the video images do not depict stars and planets but rather subjects of magnitudes greater than starlight whose emissions fall within the visible range of the camera sensor (where other celestial objects do not register). It is clear from these images the Samsung Galaxy S4 is incapable of resolving distant binary star systems at night but is clearly suited to the task of collecting UFO evidence under dark sky conditions where subjects flying within Earth’s atmosphere emit significant illumination of their own.

The role of primal hypnotic scintillating lights in UFO incidents (like the bioluminescence of cuttlefish stalking their prey) may in some cases be interpreted as a pacifier of observers transmitting “nothing to see here” signals to individuals who may otherwise mobilize some sort of active response. The effect has been observed by this reporter during field research in the British Columbia wilderness where helicopter-like light activity on nearby ridgetops seemed ironically normal under conditions where such vehicles were very unlikely to appear.

During their telephone interviews for the “Manitowoc Incident” both Myles Panosh and Shelly Schmidt recounted a subculture of testimonies from local residents and visitors to the area who said they had seen lights in the sky near the nuclear site and over Lake Michigan. An article from the Detroit Free Press from March of this year cited eerie lights appearing along near 200 miles of Lake Michigan shoreline in witness reports from 1994 highlighting how these reports remain unsolved to the present day.

John Carpenter’s “Starman” (1984) crashed an extraterrestrial scout ship on the northwestern side of the Chequamegon-Nicolet National Forest in Chequamegon Bay, WI. The city of Green Bay and the Door Peninsula where the Point Beach Nuclear Plant is stationed reside off the southeast edge of the same forest. According to lifelong resident Myles Panosh fishing tourism was wildly popular on the peninsula shoreline during the 1960s and 1970s attracting visitors including high-profile celebrities such as Johnny Carson.

Tales of UFO sightings at the nuclear site are said to have been part of the fishing subculture and the area’s reputation as a UFO hotspot may well have earned it an indirect placement in the film’s cosmology. Viewed from this perspective the “Starman”’s miraculous silver spheres might have gleaned some of their mystique from uranium dioxide pellets used in reactor fuel rods where nuclear power is touted as a fount of miracles by today’s Fukushima-deaf industry shills.

According to the Union of Concerned Scientists fire protection problems and groundwater leaks plague Point Beach. Multidimensional environmental stakeholder ET interests in U.S. nuclear power plants remains a sensitive taboo subject where employees held economic hostage fear for job safety and onsite security protocols preclude bringing public attention to ETs and these incidents through the present day.

It remains otherwise incomprehensible how local residents using smartphone camera technology were able to release stunning images of such an apparently massive display whereas all of the local and regional airport radar sensors plus security system sensors at the nuclear site remain effectively silent in communicating facts of these events in the public domain (as if they registered nothing at all). Clearly the culture of an ongoing cover-up persists in modern America outliving the Pentagon’s 2017 Advanced Aerospace Threat Identification Program (AATIP) moment in the New York Times.

According to trained military observer Myles Panosh what he saw and Jeff Lavicka recorded that night was “Not anything we have. No way. Not even close. Not a chance. It was not a star. It was not a planet. It was not a meteor. It was definitely (by definition) an Unidentified Flying Object.” Viewers can watch the short film “Manitowoc Incident” on social media for free and learn how public contact with and video recording and reporting of dramatic UFO experiences can be big, bold and beautiful.

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MUFON Mission Creep: Whistleblower Revelations of Phil Leech Expose Potential HIPAA Law Violations as Covert Deep State Allegiance Indicator in Interview with Erica Lukes

By Jon Kelly

NewsInsideOut.com

Vancouver, BC – Exclusive new video published to social media on February 12, 2019, catches up with former Mutual UFO Network (MUFON) Utah State Director Erica Lukes in conversation with NewsInsideOut.com co-editor Jon Kelly discussing explosive revelations from UFO Classified’s recent interview series with MUFON whistleblower Phil Leech. This latest NewsInsideOut.com UFOlogy and Exopolitics investigation raises disturbing questions regarding how MUFON could possibly survive an audit testing compliance with its own internal guidelines, let alone one that evaluated MUFON compliance with U.S. federal laws and regulations. UFO Classified with Erica Lukes airs Friday nights at 4 p.m. PST/7 p.m. EST on KCOR.

Erica Lukes is a UFO researcher and host of UFO Classified on the KCOR Digital Radio Network. She is the former state director for the Utah chapter of the Mutual UFO Network (MUFON) who trained as a MUFON field investigator. She is currently holding a substantial historic archive of UFO periodicals, research, rare books and other publications (some of which were willed to her by noted researchers) available through special public events in Salt Lake City. Erica will be seen on Science Channel’s “NASA’s Unexplained Files”.

In a series of letters posted to UFOClassified.com earlier this year the former National Director of MUFON’s Case Review Team detailed an emergent culture of extensive background checks targeting individuals reporting UFO incidents where potential Health Insurance Portability and Accountability Act of 1996 (HIPAA) law violations exposed Americans’ protected health information (PHI).

In the first document Phil Leech wrote “I have found that some investigators are having extensive background checks run on witnesses when they submit a report … one report showing a comprehensive list of medications a witness is using with side effects from these medicines.” Citing MUFON’s Case Management System (CMS) as a multi-user access online database, the author noted “many individuals within MUFON” could inappropriately (if not illegally) access such protected records via a simple login.

According to the U.S. Department of Health & Human Services, the HIPAA Privacy Rule “requires appropriate safeguards to protect the privacy of personal health information, and sets limits and conditions on the uses and disclosures that may be made of such information without patient authorization. The Rule also gives patients rights over their health information, including rights to examine and obtain a copy of their health records, and to request corrections.” How MUFON is maintaining compliance with such standards is not well-understood at the time of this writing.

The Phil Leech letters further chronicle seemingly outrageous evidence management practices naming MUFON’s Director of Investigations Chase Kloetzke in the black hole funneling of highly sensitive materials collected from witness medical procedures (an alleged implant) to Luis Elizondo, formerly with the Pentagon’s Advanced Aerospace Threat Identification Program (AATIP), now To The Stars (TTS) Academy’s Director of Global Security and Special Programs.

In a passage that appears to defy the author’s understanding of chain of custody compliance, Phil Leech wrote how this exotic specimen left MUFON’s purview via “Lue Elizondo with the production company from A&E that picked it up for transport.” The whistleblower asked incredulously “After 50 years of searching for the truth why would [DOI Chase Kloetzke] or anyone else turn over the one piece of evidence that could prove this all to a Production Company?”

In the way described by whistleblower testimony MUFON appears to resemble an active covert partner to multiple departments of the federal government including the U.S. Department of Homeland Security’s widely-derided “If You See Something, Say Something” informants campaign, where bureaucratic mission creep imposes continuingly increasing demands for public data mining in the name of quotas and yearly bonuses. It is in such a manner that MUFON appears to act as a covert enabler of ongoing out-of-control big government expansion into what remains of private life in America.

And MUFON is not alone in potential privacy trespasses. In perhaps the most bizarre turn of events supposed Secret Space Program (SSP) whistleblower Corey Goode and protégé Jordan Sather have been named as principal actors in a criminal #DoxxGate doxxing campaign targeting online critics and opponents resulting in legal action due to HIPAA law violations against one of their victims. Ironically it was Corey Goode’s controversial appearance at the 2017 MUFON Symposium that fueled in part a mass defection of the organization’s senior membership protesting MUFON’s latest iteration as an entertainment production company that has abandoned science in all but name.

MUFON’s ridiculous public embrace of Corey Goode’s ever-changing narratives alongside an apparent shared HIPAA law violation modus operandi seems to define both parties as Blue Avians of the same feather. Seen in this profound light, Goode and company as cultural phenoms can also be understood as characters in live action national security exopolitical theater role play harboring covert allegiance to U.S. federal agency initiatives.

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